Showing posts with label Progressive. Show all posts
Showing posts with label Progressive. Show all posts
  1. Liebe Ist Fur Alle Da Review

       Rammstein is simply a great foreign language metal band, and even better, one you don't need to speak German fluently to enjoy. At their core, the instrumentals are often very simple, but what's shaped around that has been quite entertaining with empowering choruses that just have a punch, and fair industrial and progressive qualities thrown in for good measure. Critics weren't very savvy towards the previous album, Rosenrot, but Liebe Ist Fur Da makes up for this in every respect, with some of the qualities being Rammstein at their best. The comparison for best Rammstein album was to me between Reise, Reise and Sehnsucht, now with this release, the decision will be an album more complex.

       From the get-go, this release satisfies, doing a great job at resembling 1998's Sehnsucht than this decade's career. This is great, because they would have a hard time trumping the progressive qualities of the awesome Reise, Reise. Whether Germany has experienced a thing called the guitar solo, the instrumentals are tightened, and doesn't feel like they are trying to hard like Mutter somewhat did. The progressive elements haven't been entirely demolished, but the shifted focus to the instruments rectifies this and its moments like the main riff to Rammlied rival that of Du Hast, even if the verses goes in Mutter's direction. Pussy is quite similar to 2005's Amerika in that it does incorporate English lyrics and isn't the most serious, but in a good way for how abstract a sex anthem can be, even if the lyrics aren't up with hard rock "standards", but the guitar riff shows up at the perfect time in the latter half of the verse. The title track is also superb, Richard Z. is riffing very well and feels like long lost Guns n Roses demos, that probably never existed. Who knows if we'll see a better Rammstein album, but its a true gem in the foreign language department and a great step sideways from mainstream metal of Lamb of God and Killswitch Engage.

     4.25/5
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  2. Resistance Review

       If there is one worthwhile mainstream progressive rock band of this decade, it would be Muse. Even though they have battled constant comparisons to Radiohead, their albums "Absolution" and "Black Holes and Revelations" are simply the best neo-prog albums since Dream Theater's Images and Words. However, The Resistance delves too far into some stereotypical progressive elements(outside of samples and of course being epic) like the piano and long spacey runs. I immediately became a fan of their spacey elements combined with Matt Bellamy's Tom Morello influenced pitch shifting, but there is no truly interesting guitar work to be found here, and the rest of the band doesn't help make anything more interesting. The Resistance resembles Queen more than their previous works, but the problem is Queen was actually grounbreaking. In Queen, when Brian May would play one of his trademark solos after most of the song being focused on Freddy Mercury, everyone would be impressed by his trademark style. With Resistance, it feels like its just there rather than being something you've been waiting for. Classical music has been a huge influence with Muse, but it's too bad everything else just isn't as interesting.

       There is some good in this otherwise boring album, Uprising is somewhat reminiscent of Time Is Running Out with its bass line, and Resistance has a patented Muse chorus, and ironically might be Muse's best song. Unnatural Selection will have Muse die-hards feeling nostalgic of the how bombastic Origin of Symmetry was occasionally, but that's about it. I don't review classical music, but Muse's use of the soft/loud mechanic ends up rock out a little in the beginning and use the piano for the rest, and not even in a way as interesting as Dream Theater sometimes did, and hell, Muse's previous work. The rest of the album is about as questionable as the Queen-esque United States of Eurasia, it's not very interesting, and the overdone classical piano work make it very hard deciding who this album is meant for.

    2.5 / 5
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